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PR 3765 W57 Z69 STL Laura Mandel, `Demystifying (with) the repugnant female body: Mary Leapor and feminist literary history', Criticism 38.4 (1996): 551-582. Interprets Leapor's responses to Swift's "anti-blasons". 115-119)] Anne Finch, `The misantrope' (Mc Govern 1996, p. Female feeling and its forms: elegies Anne Finch, `On the death of the queen' 1718/1903 Elizabeth Rowe, `Upon the death of her husband' 1719 (L49) Lady Mary Wortley Montagu, `Epitaph' 1718 (L61) Elizabeth Tollet, `On a death's head' 1724 (L98) Mehitabel Wright, `To an infant expiring the second day of its birth' 1733 and `An epitaph on herself' a1750 (L115) Elizabeth Boyd, `On the death of an infant of five days old, being a beautiful but abortive birth' 1733 (L135) Elizabeth Carter, `On the death of Mrs.
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Bestow my patience to compose the lives Of slighted virgins and neglected wives; To modish lovers I resign my truth, My cool reflection to unthinking youth; And some good-nature give (‘tis my desire) To surly husbands, as their needs require; And first discharge my funeral–and then To the small poets I bequeath my pen.
Let a small sprig (true emblem of my rhyme) Of blasted laurel on my hearse recline; Let some grave wight, that struggles for renown, By chanting dirges through a market-town, With gentle step precede the solemn train; A broken flute upon his arm shall lean.
Pessimism in Pope's Essay on Man and Leapor's Essay on Woman Both Alexander Pope's Essay on Man, Epistle 2 and Mary Leapor's Essay on Woman expound the fatalist contention that neither man nor woman can "win," as each individual exists in a world of trade-offs.
Yet, by each author's singular technique of sculpting his ideas with the literary tools of contrast, argument, and syntax, the cores of the two essays turn back to back, evolving into distinct, but contrary perspectives of Man's (in respect to mankind) and Woman's existence.See also the C18-L home page -- it has links to selected readings (see below) and to the archives of the C18-L list.Check out British theatre: some information about women playwrights of the period.If you're logging on from a "utoronto" server, you should have access to bibliographical indexes like those on Literature Online ("Search secondary sources") and the MLA Bibliography. (ABELL: From "Literature online", select "Reference works". Dowling, `The commonwealth of letters', in The epistolary moment: the poetics of the eighteenth-century verse epistle (1991). John Feather, `The expanding trade', in A history of British publishing (London and New York: Routledge, 1988). The woman poet at home Sarah Fyge Egerton, `The liberty' 1703 (B11) Sarah Fyge Egerton, `The emulation' 1703 (B15) Anne Finch, `To Mr. Mr C-' 1734 (L122) Annabella Blount, [A cure for poetry] 1741 (L186) Mary Leapor, `The epistle of Deborah Dough' a1746 (L209) Mary Whateley, `On the author's husband desiring her to write some verses' c1780 (L261) Anna Laetitia Barbauld, `Washing-day' 1797 (L308) Readings: puddings and poetry Richard Greene, `Problems of the woman poet', in Mary Leapor. Keener and Lorsch (New York, Westport, London: Greenwood, 1988). Not on STL.] Jayne Elizabeth Lewis, `In her "transparent Laberynth": obstructions of poetic justice in Anne Finch's fables', The English fable. Messenger, `Selected nightingales and an "Augustan" sensibility', English studies in Canada 6.2 (1980): 145-153. Women and education: nature, nurture Elizabeth Thomas, `On Sir J- S- saying in a sarcastic manner, my books would make me mad. Strategic retreats: Anne Finch and `public privacy' Anne Finch, `Mercury and the elephant, a prefatory fable' 1713 & Anne Finch, `The critick and writer of fables' 1713 Anne Finch, from The petition for an absolute retreat 1713 (L15) Anne Finch, `A nocturnal reverie' 1713 (B 33) Anne Finch, `A ballad to Mrs Catherine Fleming in London from Malshanger Farm in Hampshire' c1719/1929 (L23) Elizabeth Singer Rowe, `To Mrs. Dowling, `Augustan audience', The epistolary moment: the poetics of the eighteenth-century verse epistle (1991). Hinnant, `The darkening green' and `The critic and the writer of fables', The poetry of Anne Finch: an essay in interpretation (1994).MLA: from U of T Library's "Database selection" menu, select one or both "MLA Bibliographies".) Let me know if there are any articles and books that we should all know about. Collins, Authorship in the days of Johnson: a study of the relation between author, patron, publisher and public, 1726-1780 (1929). Z325 F414 (not on STL) Paul Langford, `Books and the bourgeoisie', 90-94 of A polite and commercial people (1989). A study in eighteenth-century women's poetry (1993). Williams, `Poetry, pudding, and Epictetus: the consistency of Elizabeth Carter', 3-24 of Tradition in transition: women writers, marginal texts, and the eighteenth-century canon, ed. Aesop and literary culture, 1651-1740 (1996) PR 448 F34 L49 STL Jean Mallinson, `Anne Finch: a woman poet and the tradition', in Gender at work: four women writers of the eighteenth century, ed. PR 1 E64, STL #3590 [Nadine Ollman, `The poet as mermaid: images of self in Margaret Cavendish and others', 87-92 of Eighteenth-century women and the arts, ed. An ode' 1722 (L40) Elizabeth Tollet, `To my brother at St John's College in Cambridge' 1724 (L96) `The amorous lady', `On being charged with writing incorrectly' 1734 (L146) Elizabeth Carter, `A dialogue' 1741 (L168) Elizabeth Teft, `On learning. eighteenth-century theories of the spleen', Mosaic 22 (1989): 17-27. Arabella Marrow, in the Country' Readings: Carol Barash, `Anne Finch: gender, politics, and myths of the private self', English women's poetry, 1649-1714: politics, community, and linguistic authority (1996): 259-287. PR 3765 W57 Z69 STL Jean Mallinson, `Anne Finch: a woman poet and the tradition', in Gender at work: four women writers of the eighteenth century, ed. Barbara Mc Govern, `Female friendships and women writers', Anne Finch and her poetry: a critical biography (1992). may include mid-century constructions of women's literary history; men's appropriation of the female voice; class, gender, and labour (subversions of the pastoral, the georgic, the `country house poem' by labouring-class poets); the Bluestockings and their circle; nature; slavery; Phillis Wheatley; politics. PR 3539 L STL Donna Landry, The muses of resistance: labouring-class women's poetry in Britain, 1739-1796, (Cambridge, UK and New York: Cambridge University Press, 1990). Anne Messenger (Detroit: Wayne State University Press, 1990). Keener and Lorsch (New York, Westport, London: Greenwood, 1988). Desired by a gentleman' 1747 (L217) Mary Whately, `The power of destiny' 1764 (L258) Ann Yearsley, `To Mr ****, an unlettered poet, on genius unimproved' 1787 (B450) Readings Alice Browne, `Women's education and women's rationality', The eighteenth century feminist mind (1987). Barbara Mc Govern, `"The spleen": melancholy, gender, and poetic identity', Anne Finch and her poetry: a critical biography (1992). Anne Messenger (Detroit: Wayne State University Press, 1990). PR 3765 W57 Z77 STL Ann Messenger, `Publishing without perishing: Lady Winchilsea's Miscellany Poems of 1713', Restoration 5/1 (1981): 27-37. STL #3589 [Ann Messenger, `Women poets and the pastoral trap: the case of Mary Whately', 93-105 of Eighteenth-century women and the arts, ed. ) Mary Lady Chudleigh, The Ladies defence Sarah Fyge Egerton, The female advocate Elizabeth Rowe, `A paraphrase on the Canticles: chapter 5' Anne Killigrew, `HERODIAS Daughter presenting to her mother St. Germaine Greer, `Introduction' (1-13), `Elizabeth Singer' (383ff), [Margaret J. Ezell, `The tedious chase: writing women's literary history in the eighteenth and nineteenth centuries', and `Memorials of the female mind: creating the canon of women's literature in the eighteenth and nineteenth centuries'. HQ 15 STL Richard Greene, `Primitivism and education', in Mary Leapor: a study in eighteenth-century women's poetry (1993). Female feeling and its forms: Odes & Ovid Anne Finch, `The spleen' 1701 (B23) Lady Mary Wortley Montagu, `A receipt to cure the vapours' 1730? Hinnant, `"My old inveterate foe": poems of melancholy and grief', The poetry of Anne Finch: an essay in interpretation (1994). Keener and Lorsch (New York, Westport, London: Greenwood, 1988). Not on STL.] Jamie Stanesa, `Anne Finch, Countess of Winchilsea', Dictionary of literary biography vol. Six comic poets may the corpse surround, And all free-holders; if they can be found: Then follow next the melancholy throng, As shrewd instructors, who themselves are wrong.The virtuoso, rich in sun-dried weeds, The politician, whom no mortal heeds, The silent lawyer, chambered all the day, And the stern soldier that receives no pay.Chadwyck-Healey's `Literature online' site, the "Search texts" option (NOT the "Find" or "Browse authors", for some reason) is probably the best place to start looking for any poem by any author that you might be interested in - though not necessarily the best edition of it! Search the Oxford English Dictionary The Voice of the Shuttle: Restoration and Eighteenth-Century Literature The EServers Eighteenth-Century Cultural Studies Links Search or browse the Gentleman's Magazine The Voice of the Shuttle: Romantic Literature Wherever possible the secondary readings on the syllabus have been placed on two-hour loan on short-term loan at the Gerstein Library, King's College Circle.If the reading is from an academic journal, you can also find these at Robarts and at good college libraries like Trinity and Victoria. Richard Greene just told me about James May's on-line bibliography of studies of women writers, readers, and publishers.