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He analyzes and examines every nuance of his situation until he has exhausted every angle. He dallies in his own wit, intoxicated by the mix of words he can concoct; he frustrates his own burning desire to be more like his father, the Hyperion. Hamlet's paradoxical relationship with words has held audiences in his thrall since he debuted in 1603 or so.
more like my father than I to Hercules" he recognizes his enslavement to words, his inability to thrust home his sword of truth. He is stuck, unable to avenge his father's death because words control him. This is most brave, That I, the son of a dear murderèd Prompted to my revenge by heaven and hell, Must like a whore unpack my heart with words, And fall-a-cursing like a very drab, A scallion!
Oedipus Rex tells the story of Oedipus, a man who becomes the king of Thebes, while in the process he fulfills a prophecy that he murders his father and marries his mother.
Unlike Shakespeare's tragic heroes, in Sophocles' Oedipus Rex, the hero is not aware of his flaw until the very end.
Nevertheless, he certainly does take everyone with him when he falls.
Perhaps, like Arthur Miller, who redefined tragedy in an essay called "Tragedy and the Common Man,"Shakespeare modified Aristotle's definition for his own age and created a tragic hero who can appeal to a larger, more enduring segment of the population.
Hamlet could be, at heart, a brutal misogynist, terrified of love because he is terrified of women.
He verbally abuses Ophelia, using sexual innuendo and derision, and he encourages her to get to a nunnery.
His tragic heroes are always persons of the highest rank, save one Othello.
His famous tragic characters- Macbeth, King Lear, Othello, Antony, Cleopatra, Julius Caesar, Romeo and Juliet, and Hamlet-possess some recognizable common features like inherent nobility of nature, indomitable will and courage to face death gallantly.