Rebecca Clarke Essays On A Life In Music

Rebecca Clarke Essays On A Life In Music-15
This act helped to sever their relationship completely and permanently, and in 1910 she left home, channeling her frustration with her family life into her composing.

This act helped to sever their relationship completely and permanently, and in 1910 she left home, channeling her frustration with her family life into her composing.Left on her own from this point, she supported herself with a burgeoning career as a violist.

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Rebecca studied violin from an early age and switched to viola at the urging of her teacher, Sir Charles Stanford of the Royal College of Music.

As a violist in an orchestra, she could be "in the middle of the sound," and learn how the music was constructed.

Clarke was self-conscious about having a long list of pieces followed by her name in the composer's place.

While the media had light praise for compositions bearing Clarke's name, it greatly applauded the work of the nonexistent 'Mr. For Clarke, this only strengthened her belief that it was neither the time nor the place for female composers, though an essay by her from around the same time speaks of the fertility of the United States to produce a major composer, who happened to be a woman.She incorporates simplicity and peacefulness as well as complex rhythms with stormy outbursts.In addition to her compositions for viola and piano, she wrote chamber works including her most famous piece, her Piano Trio, and many songs, preferring to focus her energy on these smaller forms rather than on large orchestral works or operas.While her principal influences would appear to be English folk song and French Impressionism, the musical passion derived from her own life is uniquely her own.Many of Rebecca Clarke's works, including Morpheus and the Sonata for Viola and Piano, were never published.The piece shows off the impressionistic musical language Clarke had developed, modeled on the music of Claude Debussy and Ralph Vaughan Williams, that is also apparent in her Viola Sonata.The harmonies are ethereal and otherworldly; the title is the name of a Greek god, who was especially associated with sleep and dreams.Rebecca Clarke, by her own admission, had a hard time composing while she was in love.This accounts for a dry spell in the early 1920s when she had a romance with a married singer.To learn more or modify/prevent the use of cookies, see our Cookie Policy and Privacy Policy.Upon hearing two as yet unpublished works for viola, played by violist Paul Coletti, we become acquainted with the distinct and beautiful musical voice of Rebecca Clarke, a talented violist herself as well as a prolific composer of chamber and vocal music. Her mother was from Bavaria and her father, Joseph Clarke, an American, was a representative for the Eastman Kodak Company in Europe. Joseph played cello and provided his four children with musical instruction.

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  • Rebecca Clarke - Saint Paul Sunday - American Public Media
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    Listen to Rebecca Clarke's Sonata for Viola and Piano performed by Paul. acquainted with the distinct and beautiful musical voice of Rebecca Clarke. Growing up, Rebecca's relationship with her father was strained, making her home life.…

  • A Rebecca Clarke Reader Rebecca Clarke Society
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    A Rebecca Clarke Reader considers the life, works, and career of the English. Leading scholars present original research on Clarke's songs, chamber music and. Battle kills and Anthology of Essays about the Composer Rebecca Clarke.…

  • Rebecca Clarke and Sonata Form Questions of Gender. - jstor
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    Rebecca Clarke's Sonata for Viola and Piano is her best-known work; its premiere in 1919 originally. If melody is the life-blood of music, rhythm is the heart-beat or pulse which drives it. 23. of this essay. For now, two points can be.…

  • Rebecca Clarke. Ave Maria for Upper Voices - jstor
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    From Bologna, a city whose musical life. Schnoebelen has. Rebecca. Clarke. Pr. Viola. Edited by. C. New. York Oxford verso; score, 16 p. I. Rebecca. power of Clarke's music shine through. script of Clarke's short essay "The Woman.…

  • Tentative and Feminine" Viola Sonatas by. - OhioLINK ETD
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    Essay “Rebecca Clarke and the Sonata Form Questions of Gender and Genre. musical life in London, however she was reunited in New York with former.…

  • Rebecca Clarke composer - Wikipedia
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    Her father was interested in music, and Clarke started on violin after sitting in on lessons that were being given to her brother, Hans.…

  • PDF Rebecca Clarke Sonata, para viola y piano. Un análisis.
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    PDF Resumen Rebecca Clarke 1886-1979 fue una intérprete de viola. In the theoretical framework of this research an analysis is offered about the life of the composer, her style, the genesis of her sonata. Musical historiography essay.…

  • Writings Rebecca Clarke Society
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    Rebecca Clarke's One Brief Whiff of Fame.” In Rebecca Clarke Essays on a Life in Music. Ed. Liane Curtis. Waltham, MA The Rebecca Clarke Society.…

  • The woman composer question a bibliography
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    Women in American Music A Bibliography of Music and Literature. Waltham, MA Rebecca Clarke Society, 2005. Edited and translated, and with introductory essays and notes by Marcia J. Citron. Josephine Lang Her Life and Songs.…

  • A Rebecca Clarke Reader Liane; Editor Curtis -
    Reply

    This book contains a range of materials about the British/American composer Rebecca Clarke 1886. It contains some essays -- the one by Nancy Reich is a.…

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