Hawthorne's metaphor of the rose growing next to the prison is a good metaphor for Pearl's life that began in that very place.
Hawthorne's metaphor of the rose growing next to the prison is a good metaphor for Pearl's life that began in that very place.The reader sees this connection when Pearl tells the minister that her mother plucked her from the rose bush outside of the prison.The narrative describes the effort to resolve the torment suffered by Hester and her co-adulterer, the minister Arthur Dimmesdale, in the years after their affair.
After she wears the scarlet letter for a time, he paints a picture of her with her hair out of site under a cap, and all the wanton womanliness gone from her.
Yet, even with her true eclipsed behind the letter, of the three main characters affected, Hester has the easiest time because her sin is out in the open.
her beauty, womanly qualities, and passion are, after a time, eclipsed by the ' A' she is forced to wear. Long hair is something in this time period that is a symbol of a woman.
At the beginning of the story, Hawthorne tells of Hester's long flowing hair.
More than a tale of sin, the Scarlet Letter is also an intense love story that shows itself in the forest scene between Hester and the minister Arthur Dimmesdale.
With plans to run away with each, Arthur and Hester show that their love has surpassed distance and time away from each other.
The Scarlet Letter thesis Statement Essay Symbolism is one of the major leading and critical part of the novel The Scarlet Letter by Nathaniel Hawthorne.
Each character in the novel represents different meanings and ideas.
However, the main character who develops into an appealing symbol is Pearl, the daughter of Hester Prynne.
Pearl’s representation changes throughout the novel, but she is continually displayed as a wicked character and is demonstrated as God’s “punishment” for Hester’s guilt, and not only that; she continues to disregard the Puritan laws by relating with the nature and being over-joyful.