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The poem “Glory of women” can be considered to be the typical style of poetry written by the English war time poet, Siegfried Sassoon.Through the use of poetic techniques, Sassoon’s words had painted a picture conveying his anti-war messages, in attempt to break the popular romanticized beliefs the majority population held towards war, conveying the ignorance of the public, however at the same time praising the love and dedication of the women on the home front.This was once again contrasted with the line “o German mother dreaming by the fire”, confronting the audience with the reality of war, it also compares to the romanticized idea of war held by German women, once more illustrating their ignorance.
Through the use of emotive words such as “love”, “believe” “mourn” and the metaphor “crowned our distant ardors while we fight” also illustrating ignorance, but more importantly had demonstrated the emotional rollercoaster that was experienced by war time women, unveiling their love and care towards their loved one on the war front.
Their acts of support can be linked to the title of the poem, “the glory of women”, however their ignorance had added a melancholy tone to the first part of them poem.
The use of second person establishes the idea that during war, women were ignorant outsiders, who relied solely on the media.
Sassoon had successfully invited the essence of an ideal image of the war into the opening of the poem, through the his use of juxtaposition in the poem “glory of women”, transforming it to not only a simple work relating to women, but also an anti war tool for the war time population.
Sassoon’s speaks from a soldier’s point of view and holds strong intentions to break the romanticized idea of war.
Sassoon was an English author and poet, as well as a soldier.
The alliteration of “hell’s last horror” had summarized the extent of the violence of the war, it was then put further into perspective through the imagery of “trampling the terrible corpses”.
The use of imagery creating emotions of horror was also evident in the final line “his face is trodden deeper in the mud”.
This poem takes the often glorified image of the Majors from World War 1 and strips them bare showing them for their true selves, sending out to us the feeling he has of these Majors being worthy of none of the respect they have ever received.
He skilfully uses the powerful medium that is poetry, combines it with his mastery of literary techniques such as word-choice, imagery, rhythm and sound, to create an extremely critical view of the way WW1 was conducted.